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Film Analysis: Sleaford Mods' Jason Williamson Assumes Character in Critical Examination at Ecstasy Generation Era

The work of Portishead co-founder the musician-producer, this scabrous if undernourished debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (the actor) first robs an passed-out supplier, then in another flashback tries to break into his own parents. Before you can say, he's upside down in the remains of his car in a woodland – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward townies, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The bigger point – that the rave-era youth were primarily out for themselves – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Poacher arrives, fuming after David kills his dog. Nevertheless, a darkly funny duel takes hold – David eager to get away; the Woodsman denying his container of scrumpy, determined to dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Vibe

There is only one key story turn, but it results in a hilariously staged chaotic run on the woodland paths that veers toward folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the opening part, he now goes all out with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

Game releases in British and Irish theaters from 17 November.

Written by

Elizabeth Mclean

A tech entrepreneur and writer with over a decade of experience in digital transformation and startup ecosystems.

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